Box and Fiddle
Year 17 No 05
February 1994
Price 60p
12 pages
7 month subscription £7.00
Editor – Editor – Doug Adamson, 22 Westfield Drive, Forfar, Angus, DD8 1EQ
B&F Treasurer – Mrs Margaret Smith, Smeaton Farm Cottage, Dalkeith, Midlothian.
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
The main talking point of the moment appears to be the TV coverage, or rather the lack of it, of our type of music at Hogmanay. So much has already been said to no avail, so let us pass on that subject.
Over the years, apart occasionally from the A.G.M., our younger members have been conspicuous by their absence at the Association Weekends. This has been a source of concern to the organizers who feel they would like to introduce something to attract them. Perhaps some of you would like to put pen to paper through the medium of this paper to air your views.
Finally, I would like to report that I have managed to find as successor as Editor – more about that next month.
Best wishes to you all for ’94.
Doug Adamson
Bobby Brown – An Appreciation
by Ron Stephen, Secretary, Adam Rennie Trust
Bobby Brown, acknowledged as one of Scotland’s leading button key accordionists, died suddenly on Sunday 12th December, 1993, aged 68 years. The second youngest of a family of eleven, he started to play the accordion at the age of six. As a young musician he was in demand to play at functions and parties in and around the local villages of Wolfhill, Guildtown, Kinrossie, Balbeggie and Burrelton.
The family moved to Rochallie Farm at Bridge of Cally in 1946 and at the age of 16 Bobby made his first solo radio broadcast for A. M. Shinnie at the B.B.C. in Aberdeen. His musical progress had also been noted by the fiddler Adam Rennie who recruited Bobby to play with him in his Scottish Country Dance Quartet.
Playing for Scottish Country Dances all over Scotland and England, the Quartet also made recording for EMI, Parlophone and the Pye Record company in the ‘50s. The Quartet also broadcast for the B.B.C. as well as playing for the Royal Family on several occasions.
After the Rennie Quartet disbanded in December 1958, Bobby went on to play with other groups in the Perthshire area until his hands became such that he could no longer play the box. Years later following surgery on both hands, Bobby gradually learned to play again and in 1988 he recorded the cassette – “The Old Button Box” for the Adam Rennie Trust. Later he released another - “Across the Glens” with proceeds donated to the Glenshee Churches.
He will be remembered as the composer of the “Primrose Polka” which is still played today as the signature tune of a weekly B.B.C. Radio programme. Bobby was also a regular entertainer at a Blairgowie Residential Home where he freely entertained the residents.
His love of music also saw Bobby at the Accordion and Fiddle Clubs where he made many friends. Bobby, a bachelor, is survived by 2 brothers and a sister. One of the last tunes he composed was named after his village “The Brig’ o’ Cally” a 2/4 march.
A funeral service at Netherton Church, Bridge of Cally, was well attended by family, friends and fellow musicians. This was followed by a short service at Perth Crematorium which was equally well attended. At both services, the Rev Alan McKean played a track from the cassette Bobby recorded from the churches – “By Cool Siloam’s Shady Rill”.
APPRECIATIONS
Bobby joined my concert party that toured the Western Isles in the ‘50s. It was a pleasant trip – more like a holiday than work! Bobby was a good steady player who fitted in well with Adam Rennie, one of the best!
He never really projected himself nearly enough. It’s a pity he did not compose more tunes because I’m sure he had it all in his head just ready to come out.
My music publisher contacted me one day and said to me, “That Primrose Polka seems to be doing very well Angus, any chance that you could write something to rival it for us?” I said it was nigh impossible, but I did write the “Angus Polka” for them. – Angus Fitchet.
Robert Brown was one of nature’s gentlemen. I shall always be privileged to have known him as my friend and will always remember him for his personal kindness and hospitality when I stayed with him at his home and most especially remember the hours we played together.
As with all the greatest instrumentalists, the warmth of his own personality and life experiences were present in his playing, but he was more than just a player. Maturity made him an artist who concealed his art and love of his nation’s music under a deceptively simple yet expressive style which would enchant and beguile the ear.- Tom Cowing
I knew Bobby for over forty years. My first recollection of his playing was in the Scotia Players and I was always impressed by his couthy style – no hashing or bashing.
The only time I ever played with him was away back in the ‘50s. I phoned him and asked if he could join me and the band at the Lonach Hall, Strathdon, for their big dance. We needed a big band because, as my drummer Arthur Easson would have said “It was a cheery nicht” and considering that we were panting away with a 15 watt amplifier, it was hard work.
Well, on the way to the hall, about a couple of miles out, the big ex-army station wagon I had broke a half-shaft and we had to wave cars down to help us get the get to the hall.
Fortunately, I carried a spare shaft as breaking half shafts was not a rare occurrence with this machine. We got the boys all on the stage and the dance got underway. The local garage put my shaft in and we got back to Forteviot more or less unscathed, but I often wondered what sort of Heath Robinson effort Bobby had thought he had got himself into.
I live, nowadays, a couple of miles up the road from the farm Bobby was in for over 40 years and we had manys a chat about the old days. He never had an unkind word to say about anyone’s music. We will miss him. – Ian Powrie
Words to describe friendship are undoubtedly available to those with a flair for literary expression. Friend is a word that we all use, sometimes we use it in a casual way like saying that he or she is a friend of mine. Friendship however, is another word. I suppose it meant the same thing, but when a friend is no longer with us the statement “just a friend” I have sadly found is truly understood.
Bobby Brown was a good friend of mine and I trust I was a good friend to him. I’m no musician, a mere listener at best. In my opinion, Bobby Brown was a member of the top 5%. Some statement from a mere listener you might say, but this is not an original statement from myself. It is just in agreement with a conversation I overheard between two musicians at the Blairgowrie Club some time ago. When one queried the other “What is it he’s got that puts him in the top 5%?” I don’t think they could define it exactly.
I can honestly say having Bobby as a real close friend had a big influence in my interest and understanding of music. On my regular visits to Rochallie we would sit and talk about music, his band days and many other musical topics, like our outings to the Clubs or who had been on the radio broadcasts, etc. Sometimes we would listen to a selection of our hundreds of dance band 78s. On other occasions he would maybe play me a tune on his box. My favourite to end his wee session for me was “Dark Lochnagar”. A moving experience the way he played it with all his heart and soul going in to it every time.
When I suggested to him that it may be an idea to try and have the Adam Rennie Quartet recordings released on a cassette, he was keen on the prospect of that happening. It took quite some time to arrange the production of “Village Hall to Royal Ball” . One of the big decisions to be made was how many copies should be duplicated.
When I asked him what he thought, the man in all his modesty said he thought there would be enough people interested to buy maybe about 200 cassettes at most. How he under-estimated the public that awaited the chance to hear the unique Rennie sound again.
I will never forget that first Saturday morning it was put on sale to the public. All 200 cassette were sold before mid-day by the shops in Coupar Angus alone. My telephone was a constant open line, the question always being “When will you have more for sale?” Well, many more we did sell and that was the reason the Adam Rennie Trust was established. Donations are given to worthy organisations for the senior citizens of Coupar Angus. Several thousand pounds to date have been released from the Trust.
Bobby Brown was a quiet, modest man who endeared himself to many. He really looked forward to our trips to the Clubs, but especially the Button Key Club at Windygates where he was given much respect and shown great kindness by all. A regular gesture from the tea ladies always saw the bag full of sandwiches and home baking put in his hands to take home for the next day, which surely was humanity seen at its very best.
On leaving the Club he would often ask me a question, “Whaur could you meet friendlier or finer folk?” We would then head homeward until the next month. Alas it can be no more… -
Our Wishes for 1994
by Various
Last year I published the wishes of a number of our more senior players and Club officials for 1993. For 1994 I have approached some of our younger members for their views.
Unfortunately, a few of the people I approached were not willing to have their views published, so I am indeed grateful and indebted to the three who have taken time and effort in producing the following interesting news.
Michael Philip (Cardenden)
The 20th century has seen vast changes in its approaches to musical styles. Musicologists relate this change to two main factors, technology and society.
The technological evolution in electronics has now created instruments that would have surpassed all expectations only decades ago and advances in technology increase with each passing year. These technological advances have had spin offs to almost every field of music. The Scottish scene, however, has been slow to change. Thankfully though, midi technology is at last merging with traditional instruments to bring new light to the ethnic melodies of our heritage.
Some have criticised or in some whys have tried to marginalise the changes that are occurring. These critics are normally very small-minded and short-sighted, and in some ways trying to keep the music unchanged, like some hallowed idol are unconsciously destroying the very ideas they are trying to preserve.
Music cannot be treated like some antique that reflects alone something of the past, but it is a dynamic force that must change if it’s to have any meaning for present day society and in any way which reflects current trends. If it does not, then it will become a marginalised medium which will serve only a few and will eventually die.
Social change is more difficult to describe. For at least two generations, Western society has been dominated with a pop culture which has a distinctive rhythm structure and instrumentation. These sounds are now a part of the normal musical vocabulary of most people. People relate all sounds which they hear to their internal musical lexicons, which means in plain language that the traditional way of preserving Scottish music is out of date. In fact, it was past its sell by date probably a decade ago, as the sole source of Scottish musical presentation.
What must be remembered is that it is the musical that is traditional and not the style of playing. The accordion is no more a Scottish traditional instrument than a Korg Synthesiser. The accordion comes from three main spheres of influence, German, Italian and Russian. It was socially interpolated into our culture because of increased travel and other social influences in the mid to late 19th century.
The purists should do their homework before criticising the new styles of approaching traditional music. But this is not to say that the traditional Scottish Dance Band does not have new things to say or is not needed. There is room for everyone in expressing the great musical traditions that stem in some cases centuries back into our country’s history.
What is important however is that from a social perspective we realise that if we do not speak in the musical vocabulary of this generation, then we will find it difficult to keep going.
We cannot hope that an aging generation can possibly preserve our musical traditions. It will not happen. It’s time to open our eyes to all styles, and try and be less judgmental and encourage our younger players to open out.
Ian Hay Cruickshank (Inverness)
New Year is always a very special time. It is a time when you can reflect on the last twelve months, and, equally, you can ponder what the next twelve months will bring. Accordingly, this is my opportunity to reflect on 1993 as a year so far as affecting our kind of music and to look forward, as we all do, to 1994.
To me, 1993 was a predictable year so far as our music was concerned. To my knowledge, most of the Clubs in the National Association continued to ‘plod on’. The established Festivals continued to attract good levels of entry. Despite broadcast re-scheduling, radio coverage of Scottish music remained much the same. Television coverage continued to be abysmal.
If we are honest, and don’t fall into the trap of self-congratulation, the Accordion and Fiddle club scene could still be in a healthier state. I know that it is very easy to be cynical. I don’t believe that I have ever been cynical just for the sake of it. I also know that there are an awful lot of people who devote a lot of time and energy to ensure that A&F Clubs continue. That having been said, if we are honest, then it is the case that in 1993 there were still very many empty seats at monthly meetings. Furthermore, it is regrettable to say that the audience as a whole became 12 months older. Is it not fair to say that the vast majority of those attending A&F Clubs under the age of 30 are there as players? Why do we fail to attract a younger audience? This is something which sooner or later will have to be rectified, failing which, the long term prognosis for the survival of A&F Clubs is not good.
In 1994 I would like to see a greater degree of honesty. I would also like to see television coverage. Without wanting to sound sarcastic unless you have long hair, torn jeans and are able to sing in Gaelic, there is no way that the television companies are interested. Why should that be? Surely if there is a viable audience seeking the commodity of Scottish Dance Music it should be strong enough to convince television to at least consider broadcasting it again at reasonable viewing times. Without that type of catalyst, I don’t think that we are ever going to be able to interest the younger generation. Without that, I feel that 1994 will be another predictable year, at the end of which the general audience will again have decreased.
I really don’t want to sound like a doom and gloom merchant, but since my wish for 1994 is to have more honesty, I have given my honest opinion. Having said that, I do know that there are a lot of people who still thoroughly enjoy the music and entertainment provided by A&F Clubs, and I hope that in 1994 they continue the same level of satisfaction and enjoyment which I intend to derive. May I wish everybody a Happy and Prosperous New Year.
Russell Hunter
I was sitting in the Tron Tavern in Edinburgh the other night, speaking to some musician friends. As the evening passed, and the drink and chat flowed free, I brought up the jubject of Scottish Dance Music, explaining to them that I had to get some thoughts down on paper for this article.
I should point out that I was the only SDB player in the group, the rest of the company being made up of jazz and folk musicians. The general impression that I got from them was that unless you have a particular interest in Scottish dance music, either as a player, dancer or enthusiastic listener, than the music can sound very similar, is largely unoriginal, and has limited appeal.
I have to say that I think that this is probably a fair appraisal of the state of Scottish dance music, and that I can see that this may become a serious problem.
I don’t know what solutions there may be to this problem, but I think that in ’94 it would be very refreshing to see established bands, as well as new bands, experimenting a lot more with instrumentation and rhythm. I do not accept for a minute that just because the established set-up of two accordions, fiddle, piano, bass and drums works, it cannot be changed. Bobby MacLeod often played with guitar or banjo players to great effect; it is not uncommon to see Iain MacPhail’s band with a clarinet in tow; Alistair Wood from Haddington plays with a guitarist, which makes the band very versatile; and if my fragile memory serves me correctly, Wayne Robertson has broadcast with a mandolin in the band – a beautiful instrument with a fine tradition in Scottish and Irish music. I think it would be marvelous to see a much wider range of instruments being integrated into what is a very entertaining and rewarding form of music. Many dance bands already have a synthesizer in their line-up – why not use it to greater effect?
On the question of rhythm, Scottish dance music is limited by the requirements of the dancers, but there is a lot that a good drummer or percussionist can do within the confines of tempo. Another thing which would be great to see in the New Year would be an increase in the compositional work, and work done on musical research, especially by some of the younger musicians. I cannot think of anyone who is composing to the extent of people like Bobby MacLeod or Jim Johnstone, and I cannot see a reason why, the talent is certainly there.
On the question of musical research and repertoire, I think that we should aim for a state in which two bands playing the same tunes would be unusual. Taking a bunch of tunes from ‘Take the Floor’ broadcasts, juggling them around so that the keys fit, and re-presenting them as something new is pretty disgraceful. After all, there is a mountain of untapped pipe and fiddle music which could sound great played by a Dance Band.
Another point that I would like to raise is the state of Scottish dancing and the role therein of the R.S.C.D.S. I do not think that they are doing a very good job of attracting the young to their ranks. I would stress that this does not seem to be the case abroad, but at home, I would guess that the average age of the participants at a branch meeting must be around fifty. Far be it for me to criticize anyone for being around fifty, some of my favourite people are around fifty. But I do think that the validity of the RSCDS as the ultimate authority on Scottish dancing must be called into question when their appeal seems to be limited to such a small section of society. Sometimes a meeting can appear to be more like an aerobics class than an evening of music and dance.
However, this is not to say that Scottish dancing is dying. Places like Cy Lawrie’s Riverside Club in Glasgow are packed out every weekend with people of all ages and from all walks of life Stripping the Willow and Dashing the White Sergeant. I don’t know if there has ever been a ‘Take the Floor’ programme done live from The Riverside Club, but if there hasn’t, then that might be an idea for 1994.
Up to this point I have argued that we should look to the future, develop and explore as many musical avenues as possible. However, something I would really like to see this year, or sometime in the future, would be the re-release of some of the ‘classic’ dance music recordings of the 50s, 60s and 70s. I don’t think that Scottish dance music records very well. It is, after all, dance music, and is best appreciated live. However, there are many recordings from this period which really hit the mark, notably, ‘A Measure of Scotch’ and ‘The Man from Tobermory’, These recordings have, to my mind, remained largely unsurpassed, with the possible exception of Robert MacLeod’s ‘All Aboard’. Robert, or ‘The Ayatollah’ as he is affectionately known, said he’s give me a tenner if I slipped that one in! Anyway, some of these older recordings are more than worthy of an airing.
Enough of my nonsense. I would just like to conclude by saying that I hope you all have a really good year, or as Robbie Shephers would say – “A guid Ne-er tae yis a’”
Introducing the Clubs
No 20 Castle Douglas
by ?
Castle Douglas A&F Club was started in September 1980 by the late Jackie (Bungy) Scott, and Rhona and Marcel Rivard. The late Alex MacArthur entertained an audience of over 70 with ‘local’ players from as far apart as Moffat, Port William and Ayr attending. The Club is still held in the Urr Valley Country House Hotel (formerly known as the Ernespie House Hotel).
After a short break, the Club was restarted in September, 1986 by Walter McMillan and Jackie Scott and has since gone from strength to strength. Sadly, Jackie died the following year and his place as compere was filled by spoon player Drew Davies. The function room of the Hotel seats well over 100 comfortably without using the dancing area, so in 1991 it was decided to have dancing at the monthly meetings. This resulted in losing a few regulars but gaining even more.
The Club owes its success to the support given by local players, patrons, a hard working team of helpers, especially Isa White who organizes the raffle, and is held in a first class hotel with ample room for parking. The youngest player at the moment is 10 year old Linda Riddett and the oldest is octogenarian Jimmy Edwards from Moffat, who seldom misses a meeting. There are usually over 20 players attending each month (once there were 34). There can be a problem fitting everyone in, but this is usually overcome by forming duos, trios etc. The Club players have been guests at Mauchline and Carlisle Clubs.
The Club tries to bring guests artistes to suit all different tastes. Over the years there has been a variety of solo artistes – playing accordion, fiddle, Northumbrian pipes and concertina and bands ranging from 2 piece to 6 piece, each entertaining us with their own special style of music. Whether it is Scottish or Continental, they are assured of a warm welcome from an appreciative audience.
Two dances are held annually – in December and May. We have also held ceilidhs, dances and raffles in aid of various charities – Children in Need, British Heart Foundation, Leukemia Research, the local Day Hospital, Dunmuir Hostel, Heart Start and Castle Douglas Bi-Centenary celebrations.
We meet on the third Tuesday of each month from September to April and we welcome all who care to join us, either to play or to enjoy the music and dancing.
Donald MacLeod, Kyle – An Appreciation
by M.K.
With the passing of Donald MacLeod at Raigmore Hospital on Friday, 31st December, 1993, the Kinlochshiel club has lost a well-known and popular personality.
He was a native of Portnalong, Skye and came to live in Kyle 30 years ago. ‘Donnie B.P.’ as he was affectionately known was employed by the West Highland Oil Company and many people have reason to be grateful for his obliging nature and numerous acts of kindness. He loved to be in company and took great pleasure in welcoming friends to his home, whether expected or unexpected.
Donnie was an ardent fan of traditional music, especially Scottish dance music, and this aspect of his life was very much in evidence during his time as Secretary of the Kinlochshiel A&F Club. His cheerful personality, enthusiasm and work on behalf of the Club will be greatly missed and fondly remembered.
Two recent highlights of his life were a trio to the Vancouver Mod in the company of the Strath Gaelic Choir and a visit of the Kinlochshiel Club to the Sutherland Club at Rogart. Whether the occasion happened to be grand tour or a trip to a village hall, it was another opportunity for Donnie to meet old and new friends.
The exceptionally large number of people who attended the funeral was a reflection of the respect and esteem in which he was held.
We were indeed privileged to have had in our midst such a true friend as Donnie MacLeod.
Our heartfelt sympathy go to his wife Morag and daughters Rona and Margaret.
Shetland Accordion and Fiddle Club Festival
14th – 18th October, 1993
Lerwick's Guizer Jarl, Ronnie Gair, resplendent in Viking costume.................
Your Letters
I feel I must write about the December meeting of the Stirling Club. The guest was Angie Smith and Friends and what a guest! Fiddle led from start to finish, apart from an accordion spot in each half from Neil MacEachern, and what a fiddler! She had the audience eating out of her hand. Often when a fiddler is the main guest, audience number take a tumble, but not in this case.
An ideal guest for any Club which is looking for something that wee bit different.
Helen Robertson
It was nice the see the B.B.C. pay tribute to Andy Stewart on 31st December on B.B.C.2. With some old clips of Andy and of course my idol, Jimmy Shand. It just shows the B.B.C. archives are full of this Scottish Dance Music material. It’s great to watch the old shows. So come on B.B.C., let’s have some more Scottish shows on national T.V. – and thank you.
Jim Murphy, Bradford
Record Review
The Cook Collection – Carol & Edith Cook – CJW024
CLUB DIARY
Aberdeen (Dee Motel) –
Alnwick (Golden Fleece) – members only
Arbroath (Viewfield Hotel) - 6th Feb 94 – Dave Stewart & Rab Smillie
Armadale (Masonic Hall) – 3rd Feb 94 – Karen Higgins SDB
Ayr (Gartferry Hotel) – 6th Feb 94 – Willie Lawrie Trio
Balloch (St. Kessog’s Hall) –
Banchory (Burnett Arms Hotel) –
Banff & District (Knowes Hotel, Macduff) –
Beith & District (Hotel de Croft, Dalry) – 21st Feb 94 – Neil MacEachern SDB
Belford (Community Club) –
Biggar (Municipal Hall) – 13th Feb 94 – Alistair Gillespie Orchestra
Blairgowrie (Moorfield Hotel) -
Brigmill (Guardbridge Sports & Social Club)
Buchan (Buchaness Hotel) –
Button Key (Windygates Institute) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Carlisle (Border Regiment Club, Carlisle Castle) - 3rd Feb 94 – Eric Goodfellow SDB
Castle Douglas (Urr Valley Hotel) – 15th Feb 94 – Eric Goodfellow SDB
Coalburn (Miners’ Welfare) - 17th Feb 94 – Tom Veldon Accordion Orchestra
Crieff & District (Arduthie Hotel) 3rd Feb 94 – James Coutts
Dalriada (Argyll Arms Hotel, Lochgilphead)
Derwentside (Working Men’s Club, Consett) –
Dingwall (National Hotel) – 2nd Feb 94 – Marie Fielding 19th Feb Dance to David Cunningham Jnr
Dunblane (Westlands Hotel) – 15th Feb 94 – Alan Gardiner SDB
Dundee (Park Hotel) –
Dunfermline (Jubilee House) –
Dunoon & Cowal (McColl’s Hotel)
East Kilbride (Sweepers, Cambuslang) – 24th Feb 94 – Fraser MyGlynn Duo
Ellon (Ladbroke Hotel) –
Ettrick & Yarrow (The Gordon Arms) - 16th Feb 94 – The Bon Accords
Fintry (Fintry Sports Centre) – 28th Feb 94 – Ian Thomson SDB
Forfar (Plough Inn) -
Forres (Brig Motel) – 9th Feb 94 – Dingwall Club
Fort William (Alexandra Hotel) –
Galashiels (Maxwell Hotel) –
Galston (Barr Castle Social Club) –
Glendale (Black Bull Hotel – Wooler) –
Glenrothes (Victoria Hall, Coaltown of Balgownie) -
Gretna (Halcrow Stadium) -
Highland (Drumossie Hotel) –
Inveraray (Loch Fyne Hotel) - 1st Fen 94 – Ross MacPherson SDB
Islay (White Hart Hotel) -
Isle of Skye -
Islesteps (Waterhole, Lochfoot) – 1st Feb 94 – Ian Muir
Kelso (Ednam House Hotel) – 23rd Feb 94 – Marian Anderson SDB
Kinlochshiel (Islander Function Room) - 12th Feb 94 – Graham Wilson Duo
Kintore (Crown Hotel) –
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) – 10th Feb 94 – Marie Fielding Trio
Livingston (Livingston Station Community Centre) 15th Feb 94 – Bill Black SDB
Lockerbie (Bluebell Hotel) -
Mauchline (The Jean Armour Function Suite) 15th Feb 94 – Karen Higgins Trio 26th Feb Dance to Jim Anderson (Broughton)
M.A.F.I.A. (Masonic Hall, Milngavie) –
Montrose (Park Hotel) –
Newtongrange (Dean Tavern) – 28th Feb 94 – Lothian SDB
North East (Royal British Legion, Keith) –
Oban (Harbour Lights Restaurant) – 3rd Feb 94 – Local Artistes
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Green Tree Hotel) – 24th Feb 94 – Judith Linton Trio
Perth (Salutation Hotel) – 15th Feb 94 – Angie Smith Trio
Premier NI (Camlin Function Rooms) -
Renfrew (Masonic Hall, Broadloan) – 8th Feb 94 – Ian Muir Trio
Rothbury (Queen’s Head) - 3rd Feb 94 – Roger Dobson SDB
Shetland (venue?) -
Stirling (Terraces Hotel) -
Thornhill (?)
Thurso (Pentland Hotel) –
Tranent (East Lothian Labour Club)
Turriff (Royal Oak Hotel) – 3rd Feb 94 – The Huntly Loons
Tynedale (Hexham Ex Service Club) – 8th Feb 94 – John Laidlaw Trio
Wick (McKay’s Hotel) –
THERE WERE CLUB REPORTS FROM :-
1. Aberdeen
2. Arbroath
3. Banchory
4. Biggar
5. Blairgowrie
6. Carlisle
7. Castle Douglas
8. Coalburn
9. Dingwall
10. Dunblane
11. Dunoon & Cowal
12. East Kilbride
13. Fintry
14. Forres
15. Glendale
16. Inveraray
17. Islesteps
18. Highland
19. Kintore
20. Kelso
21. Lesmahagow
22. Livingston
23. Lockerbie
24. Montrose
25. Newtongrange
26. North East
27. Orkney
28. Peebles
29. Perth
30. Renfrew
31. Rothbury
32. Thurso
33. Turriff
34. Tynedale
CLUB DIRECTORY AS AT SEPT 1991 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports or in the Club Diary above were definitely open.)
1. Aberdeen A&F Club (1975 – present)
2. Alnwick A&F Club (Sept 1976 – present)
3. Arbroath A&F Club (1991? – present)
4. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months) Closed
5. Ayr A&F Club (Nov 1983 – per Nov 83 edition) Closed
6. Balloch A&F Club (Sept 1972 – per January 1978 issue – present)
7. Banchory A&F Club (1978 – present)
8. Banff & District A&F Club (Oct 1973 – present)
9. Beith & District A&F Club (Sept 1972 – per first edition – present)
10. Belford A&F Club (joined Sept 1982)
11. Biggar A&F Club (Oct 1974 – present)
12. Blairgowrie A&F Club (
13. Brigmill A&F Club (Oct 1990) Closed
14. Button Key A&F Club (
15. Campbeltown A&F Club (
16. Carlisle A&F Club (joined Sept 1993 -
17. Castle Douglas A&F Club (c Sept 1980 – present)
18. Coalburn A&F Club (
19. Crieff A&F Club (cSept 1981)
20. Dalriada A&F Club (Feb 1981)
21. Derwentside A&F Club
22. Dingwall & District A&F Club (May 1979 – per first report)
23. Dunblane & District A&F Club (1971 – present)
24. Dundee & District A&F Club (1970? -
25. Dunfermline & District A&F Club (1974 – per first edition)
26. Dunoon & Cowal A&F Club (
27. East Kilbride A&F Club (Sept 1980)
28. Ellon A&F Club (
29. Etterick & Yarrow (Jan 1989 -
30. Fintry A&F Club (Dec 1972 – reformed Jan 1980 – present)
31. Forfar A&F Club (
32. Forres A&F Club (Jan 1978)
33. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
34. Galashiels A&F Club (joined Sept 1982 - present)
35. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
36. Glendale Accordion Club (Jan 1973)
37. Glenrothes A&F Club (Mar 93?
38. Gretna A&F Club (1991) Known as North Cumbria A&F Club previously (originally called Grena when started in June 1966 but later had to move to venues in the North of England and changed name. No breaks in the continuity of the Club)
39. Highland A&F Club (Inverness)
40. Inveraray A&F Club (Oct 1991)
41. Islay A&F Club (23 Apr 93 -
42. Islesteps A&F Club (Jan 1981 – present – n.b. evolved from the original Dumfries Club)
43. Isle of Skye A&F Club (
44. Kelso A&F Club (May 1976 – present)
45. Kintore A&F Club (
46. Langholm A&F Club (Oct 1967 - present)
47. Lesmahagow A&F Club (Nov 1979 – closed May 2005)
48. Livingston A&F Club (Sept 1973 – present)
49. Lockerbie A&F Club (Nov 1973 - present)
50. M.A.F.I.A. (1966 - )
51. Mauchline A&F Club (first mention 1986? - present)
52. Montrose A&F Club (joined Sept 1982 - present)
53. Mull A&F Club
54. Newtongrange A&F Club (joined Sept 1977 - present)
55. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
56. North East A&F Club aka Keith A&FC (Sept 1971 - present)
57. Oban A&F Club (Nov 1975 - present)
58. Orkney A&F Club (Mar 1978 - present)
59. Peebles A&F Club (26 Nov 1981 - present)
60. Perth & District A&F Club (Aug 1970 - present)
61. Premier A&F Club NI (April 1980)
62. Renfrew A&F Club (
63. Rothbury Accordion Club (1987??)
64. Shetland A&F Club (Sept 1978 - present)
65. Stirling A&F Club (Oct 1991 - )
66. Sutherland A&F Club (
67. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition – closed April 2014)
68. Thurso A&F Club (Oct 1981 - present)
69. Tranent A&F Club
70. Turriff A&F Club (March 1982 - present)
71. Tynedale A&F Club (Nov 1980 - present)
72. Wick A&F Club (Oct 1975 - present)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
73. Acharacle & District A&F Club (cMay 1988)
74. Bonchester Accordion Club (Closed?)
75. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
76. Buchan A&F Club
77. Callander A&F Club (
78. Campbeltown & District A&F Club (c Dec 1980)
79. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
80. Club Accord
81. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2?)
82. Coupar Angus A&F Club (cSept 1978 - ?)
83. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
84. Denny & Dunipace A&F Club (Feb 1981)
85. Dornoch A&F Club (first mention in directory 1986)
86. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
87. Dunbar Cement Works A&F Club (Closed?)
88. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
89. Falkirk A&F Club (Sept 1978 - )
90. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
91. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
92. Kirriemuir A&F Club (cSept 1981)
93. Monklands A&F Club (Nov 1978 – closed cApril 1983)
94. Morecambe A&F Club (joined Sept 1982)
95. Newcastleton Accordion Club
96. New Cumnock A&F Club (cMarch 1979)
97. Ormiston Miners’ Welfare Society A&F Club (closed April 1992 – per Sept Editorial)
98. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
99. Straiton Accordion Club (c1968 – closed March 1979)
100. Stranraer & District Accordion Club (1974 – per first edition)
101. Torthorwald A&F Club (near Dumfries)
102. Walmer (Bridge of Allan) A&F Club
103. Wellbank A&F Club
Advertising rates
Full Page - £94
Half Page - £47
Quarter Page - £24
B&F Treasurer – Mrs Margaret Smith, Smeaton Farm Cottage, Dalkeith, Midlothian.
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
The main talking point of the moment appears to be the TV coverage, or rather the lack of it, of our type of music at Hogmanay. So much has already been said to no avail, so let us pass on that subject.
Over the years, apart occasionally from the A.G.M., our younger members have been conspicuous by their absence at the Association Weekends. This has been a source of concern to the organizers who feel they would like to introduce something to attract them. Perhaps some of you would like to put pen to paper through the medium of this paper to air your views.
Finally, I would like to report that I have managed to find as successor as Editor – more about that next month.
Best wishes to you all for ’94.
Doug Adamson
Bobby Brown – An Appreciation
by Ron Stephen, Secretary, Adam Rennie Trust
Bobby Brown, acknowledged as one of Scotland’s leading button key accordionists, died suddenly on Sunday 12th December, 1993, aged 68 years. The second youngest of a family of eleven, he started to play the accordion at the age of six. As a young musician he was in demand to play at functions and parties in and around the local villages of Wolfhill, Guildtown, Kinrossie, Balbeggie and Burrelton.
The family moved to Rochallie Farm at Bridge of Cally in 1946 and at the age of 16 Bobby made his first solo radio broadcast for A. M. Shinnie at the B.B.C. in Aberdeen. His musical progress had also been noted by the fiddler Adam Rennie who recruited Bobby to play with him in his Scottish Country Dance Quartet.
Playing for Scottish Country Dances all over Scotland and England, the Quartet also made recording for EMI, Parlophone and the Pye Record company in the ‘50s. The Quartet also broadcast for the B.B.C. as well as playing for the Royal Family on several occasions.
After the Rennie Quartet disbanded in December 1958, Bobby went on to play with other groups in the Perthshire area until his hands became such that he could no longer play the box. Years later following surgery on both hands, Bobby gradually learned to play again and in 1988 he recorded the cassette – “The Old Button Box” for the Adam Rennie Trust. Later he released another - “Across the Glens” with proceeds donated to the Glenshee Churches.
He will be remembered as the composer of the “Primrose Polka” which is still played today as the signature tune of a weekly B.B.C. Radio programme. Bobby was also a regular entertainer at a Blairgowie Residential Home where he freely entertained the residents.
His love of music also saw Bobby at the Accordion and Fiddle Clubs where he made many friends. Bobby, a bachelor, is survived by 2 brothers and a sister. One of the last tunes he composed was named after his village “The Brig’ o’ Cally” a 2/4 march.
A funeral service at Netherton Church, Bridge of Cally, was well attended by family, friends and fellow musicians. This was followed by a short service at Perth Crematorium which was equally well attended. At both services, the Rev Alan McKean played a track from the cassette Bobby recorded from the churches – “By Cool Siloam’s Shady Rill”.
APPRECIATIONS
Bobby joined my concert party that toured the Western Isles in the ‘50s. It was a pleasant trip – more like a holiday than work! Bobby was a good steady player who fitted in well with Adam Rennie, one of the best!
He never really projected himself nearly enough. It’s a pity he did not compose more tunes because I’m sure he had it all in his head just ready to come out.
My music publisher contacted me one day and said to me, “That Primrose Polka seems to be doing very well Angus, any chance that you could write something to rival it for us?” I said it was nigh impossible, but I did write the “Angus Polka” for them. – Angus Fitchet.
Robert Brown was one of nature’s gentlemen. I shall always be privileged to have known him as my friend and will always remember him for his personal kindness and hospitality when I stayed with him at his home and most especially remember the hours we played together.
As with all the greatest instrumentalists, the warmth of his own personality and life experiences were present in his playing, but he was more than just a player. Maturity made him an artist who concealed his art and love of his nation’s music under a deceptively simple yet expressive style which would enchant and beguile the ear.- Tom Cowing
I knew Bobby for over forty years. My first recollection of his playing was in the Scotia Players and I was always impressed by his couthy style – no hashing or bashing.
The only time I ever played with him was away back in the ‘50s. I phoned him and asked if he could join me and the band at the Lonach Hall, Strathdon, for their big dance. We needed a big band because, as my drummer Arthur Easson would have said “It was a cheery nicht” and considering that we were panting away with a 15 watt amplifier, it was hard work.
Well, on the way to the hall, about a couple of miles out, the big ex-army station wagon I had broke a half-shaft and we had to wave cars down to help us get the get to the hall.
Fortunately, I carried a spare shaft as breaking half shafts was not a rare occurrence with this machine. We got the boys all on the stage and the dance got underway. The local garage put my shaft in and we got back to Forteviot more or less unscathed, but I often wondered what sort of Heath Robinson effort Bobby had thought he had got himself into.
I live, nowadays, a couple of miles up the road from the farm Bobby was in for over 40 years and we had manys a chat about the old days. He never had an unkind word to say about anyone’s music. We will miss him. – Ian Powrie
Words to describe friendship are undoubtedly available to those with a flair for literary expression. Friend is a word that we all use, sometimes we use it in a casual way like saying that he or she is a friend of mine. Friendship however, is another word. I suppose it meant the same thing, but when a friend is no longer with us the statement “just a friend” I have sadly found is truly understood.
Bobby Brown was a good friend of mine and I trust I was a good friend to him. I’m no musician, a mere listener at best. In my opinion, Bobby Brown was a member of the top 5%. Some statement from a mere listener you might say, but this is not an original statement from myself. It is just in agreement with a conversation I overheard between two musicians at the Blairgowrie Club some time ago. When one queried the other “What is it he’s got that puts him in the top 5%?” I don’t think they could define it exactly.
I can honestly say having Bobby as a real close friend had a big influence in my interest and understanding of music. On my regular visits to Rochallie we would sit and talk about music, his band days and many other musical topics, like our outings to the Clubs or who had been on the radio broadcasts, etc. Sometimes we would listen to a selection of our hundreds of dance band 78s. On other occasions he would maybe play me a tune on his box. My favourite to end his wee session for me was “Dark Lochnagar”. A moving experience the way he played it with all his heart and soul going in to it every time.
When I suggested to him that it may be an idea to try and have the Adam Rennie Quartet recordings released on a cassette, he was keen on the prospect of that happening. It took quite some time to arrange the production of “Village Hall to Royal Ball” . One of the big decisions to be made was how many copies should be duplicated.
When I asked him what he thought, the man in all his modesty said he thought there would be enough people interested to buy maybe about 200 cassettes at most. How he under-estimated the public that awaited the chance to hear the unique Rennie sound again.
I will never forget that first Saturday morning it was put on sale to the public. All 200 cassette were sold before mid-day by the shops in Coupar Angus alone. My telephone was a constant open line, the question always being “When will you have more for sale?” Well, many more we did sell and that was the reason the Adam Rennie Trust was established. Donations are given to worthy organisations for the senior citizens of Coupar Angus. Several thousand pounds to date have been released from the Trust.
Bobby Brown was a quiet, modest man who endeared himself to many. He really looked forward to our trips to the Clubs, but especially the Button Key Club at Windygates where he was given much respect and shown great kindness by all. A regular gesture from the tea ladies always saw the bag full of sandwiches and home baking put in his hands to take home for the next day, which surely was humanity seen at its very best.
On leaving the Club he would often ask me a question, “Whaur could you meet friendlier or finer folk?” We would then head homeward until the next month. Alas it can be no more… -
Our Wishes for 1994
by Various
Last year I published the wishes of a number of our more senior players and Club officials for 1993. For 1994 I have approached some of our younger members for their views.
Unfortunately, a few of the people I approached were not willing to have their views published, so I am indeed grateful and indebted to the three who have taken time and effort in producing the following interesting news.
Michael Philip (Cardenden)
The 20th century has seen vast changes in its approaches to musical styles. Musicologists relate this change to two main factors, technology and society.
The technological evolution in electronics has now created instruments that would have surpassed all expectations only decades ago and advances in technology increase with each passing year. These technological advances have had spin offs to almost every field of music. The Scottish scene, however, has been slow to change. Thankfully though, midi technology is at last merging with traditional instruments to bring new light to the ethnic melodies of our heritage.
Some have criticised or in some whys have tried to marginalise the changes that are occurring. These critics are normally very small-minded and short-sighted, and in some ways trying to keep the music unchanged, like some hallowed idol are unconsciously destroying the very ideas they are trying to preserve.
Music cannot be treated like some antique that reflects alone something of the past, but it is a dynamic force that must change if it’s to have any meaning for present day society and in any way which reflects current trends. If it does not, then it will become a marginalised medium which will serve only a few and will eventually die.
Social change is more difficult to describe. For at least two generations, Western society has been dominated with a pop culture which has a distinctive rhythm structure and instrumentation. These sounds are now a part of the normal musical vocabulary of most people. People relate all sounds which they hear to their internal musical lexicons, which means in plain language that the traditional way of preserving Scottish music is out of date. In fact, it was past its sell by date probably a decade ago, as the sole source of Scottish musical presentation.
What must be remembered is that it is the musical that is traditional and not the style of playing. The accordion is no more a Scottish traditional instrument than a Korg Synthesiser. The accordion comes from three main spheres of influence, German, Italian and Russian. It was socially interpolated into our culture because of increased travel and other social influences in the mid to late 19th century.
The purists should do their homework before criticising the new styles of approaching traditional music. But this is not to say that the traditional Scottish Dance Band does not have new things to say or is not needed. There is room for everyone in expressing the great musical traditions that stem in some cases centuries back into our country’s history.
What is important however is that from a social perspective we realise that if we do not speak in the musical vocabulary of this generation, then we will find it difficult to keep going.
We cannot hope that an aging generation can possibly preserve our musical traditions. It will not happen. It’s time to open our eyes to all styles, and try and be less judgmental and encourage our younger players to open out.
Ian Hay Cruickshank (Inverness)
New Year is always a very special time. It is a time when you can reflect on the last twelve months, and, equally, you can ponder what the next twelve months will bring. Accordingly, this is my opportunity to reflect on 1993 as a year so far as affecting our kind of music and to look forward, as we all do, to 1994.
To me, 1993 was a predictable year so far as our music was concerned. To my knowledge, most of the Clubs in the National Association continued to ‘plod on’. The established Festivals continued to attract good levels of entry. Despite broadcast re-scheduling, radio coverage of Scottish music remained much the same. Television coverage continued to be abysmal.
If we are honest, and don’t fall into the trap of self-congratulation, the Accordion and Fiddle club scene could still be in a healthier state. I know that it is very easy to be cynical. I don’t believe that I have ever been cynical just for the sake of it. I also know that there are an awful lot of people who devote a lot of time and energy to ensure that A&F Clubs continue. That having been said, if we are honest, then it is the case that in 1993 there were still very many empty seats at monthly meetings. Furthermore, it is regrettable to say that the audience as a whole became 12 months older. Is it not fair to say that the vast majority of those attending A&F Clubs under the age of 30 are there as players? Why do we fail to attract a younger audience? This is something which sooner or later will have to be rectified, failing which, the long term prognosis for the survival of A&F Clubs is not good.
In 1994 I would like to see a greater degree of honesty. I would also like to see television coverage. Without wanting to sound sarcastic unless you have long hair, torn jeans and are able to sing in Gaelic, there is no way that the television companies are interested. Why should that be? Surely if there is a viable audience seeking the commodity of Scottish Dance Music it should be strong enough to convince television to at least consider broadcasting it again at reasonable viewing times. Without that type of catalyst, I don’t think that we are ever going to be able to interest the younger generation. Without that, I feel that 1994 will be another predictable year, at the end of which the general audience will again have decreased.
I really don’t want to sound like a doom and gloom merchant, but since my wish for 1994 is to have more honesty, I have given my honest opinion. Having said that, I do know that there are a lot of people who still thoroughly enjoy the music and entertainment provided by A&F Clubs, and I hope that in 1994 they continue the same level of satisfaction and enjoyment which I intend to derive. May I wish everybody a Happy and Prosperous New Year.
Russell Hunter
I was sitting in the Tron Tavern in Edinburgh the other night, speaking to some musician friends. As the evening passed, and the drink and chat flowed free, I brought up the jubject of Scottish Dance Music, explaining to them that I had to get some thoughts down on paper for this article.
I should point out that I was the only SDB player in the group, the rest of the company being made up of jazz and folk musicians. The general impression that I got from them was that unless you have a particular interest in Scottish dance music, either as a player, dancer or enthusiastic listener, than the music can sound very similar, is largely unoriginal, and has limited appeal.
I have to say that I think that this is probably a fair appraisal of the state of Scottish dance music, and that I can see that this may become a serious problem.
I don’t know what solutions there may be to this problem, but I think that in ’94 it would be very refreshing to see established bands, as well as new bands, experimenting a lot more with instrumentation and rhythm. I do not accept for a minute that just because the established set-up of two accordions, fiddle, piano, bass and drums works, it cannot be changed. Bobby MacLeod often played with guitar or banjo players to great effect; it is not uncommon to see Iain MacPhail’s band with a clarinet in tow; Alistair Wood from Haddington plays with a guitarist, which makes the band very versatile; and if my fragile memory serves me correctly, Wayne Robertson has broadcast with a mandolin in the band – a beautiful instrument with a fine tradition in Scottish and Irish music. I think it would be marvelous to see a much wider range of instruments being integrated into what is a very entertaining and rewarding form of music. Many dance bands already have a synthesizer in their line-up – why not use it to greater effect?
On the question of rhythm, Scottish dance music is limited by the requirements of the dancers, but there is a lot that a good drummer or percussionist can do within the confines of tempo. Another thing which would be great to see in the New Year would be an increase in the compositional work, and work done on musical research, especially by some of the younger musicians. I cannot think of anyone who is composing to the extent of people like Bobby MacLeod or Jim Johnstone, and I cannot see a reason why, the talent is certainly there.
On the question of musical research and repertoire, I think that we should aim for a state in which two bands playing the same tunes would be unusual. Taking a bunch of tunes from ‘Take the Floor’ broadcasts, juggling them around so that the keys fit, and re-presenting them as something new is pretty disgraceful. After all, there is a mountain of untapped pipe and fiddle music which could sound great played by a Dance Band.
Another point that I would like to raise is the state of Scottish dancing and the role therein of the R.S.C.D.S. I do not think that they are doing a very good job of attracting the young to their ranks. I would stress that this does not seem to be the case abroad, but at home, I would guess that the average age of the participants at a branch meeting must be around fifty. Far be it for me to criticize anyone for being around fifty, some of my favourite people are around fifty. But I do think that the validity of the RSCDS as the ultimate authority on Scottish dancing must be called into question when their appeal seems to be limited to such a small section of society. Sometimes a meeting can appear to be more like an aerobics class than an evening of music and dance.
However, this is not to say that Scottish dancing is dying. Places like Cy Lawrie’s Riverside Club in Glasgow are packed out every weekend with people of all ages and from all walks of life Stripping the Willow and Dashing the White Sergeant. I don’t know if there has ever been a ‘Take the Floor’ programme done live from The Riverside Club, but if there hasn’t, then that might be an idea for 1994.
Up to this point I have argued that we should look to the future, develop and explore as many musical avenues as possible. However, something I would really like to see this year, or sometime in the future, would be the re-release of some of the ‘classic’ dance music recordings of the 50s, 60s and 70s. I don’t think that Scottish dance music records very well. It is, after all, dance music, and is best appreciated live. However, there are many recordings from this period which really hit the mark, notably, ‘A Measure of Scotch’ and ‘The Man from Tobermory’, These recordings have, to my mind, remained largely unsurpassed, with the possible exception of Robert MacLeod’s ‘All Aboard’. Robert, or ‘The Ayatollah’ as he is affectionately known, said he’s give me a tenner if I slipped that one in! Anyway, some of these older recordings are more than worthy of an airing.
Enough of my nonsense. I would just like to conclude by saying that I hope you all have a really good year, or as Robbie Shephers would say – “A guid Ne-er tae yis a’”
Introducing the Clubs
No 20 Castle Douglas
by ?
Castle Douglas A&F Club was started in September 1980 by the late Jackie (Bungy) Scott, and Rhona and Marcel Rivard. The late Alex MacArthur entertained an audience of over 70 with ‘local’ players from as far apart as Moffat, Port William and Ayr attending. The Club is still held in the Urr Valley Country House Hotel (formerly known as the Ernespie House Hotel).
After a short break, the Club was restarted in September, 1986 by Walter McMillan and Jackie Scott and has since gone from strength to strength. Sadly, Jackie died the following year and his place as compere was filled by spoon player Drew Davies. The function room of the Hotel seats well over 100 comfortably without using the dancing area, so in 1991 it was decided to have dancing at the monthly meetings. This resulted in losing a few regulars but gaining even more.
The Club owes its success to the support given by local players, patrons, a hard working team of helpers, especially Isa White who organizes the raffle, and is held in a first class hotel with ample room for parking. The youngest player at the moment is 10 year old Linda Riddett and the oldest is octogenarian Jimmy Edwards from Moffat, who seldom misses a meeting. There are usually over 20 players attending each month (once there were 34). There can be a problem fitting everyone in, but this is usually overcome by forming duos, trios etc. The Club players have been guests at Mauchline and Carlisle Clubs.
The Club tries to bring guests artistes to suit all different tastes. Over the years there has been a variety of solo artistes – playing accordion, fiddle, Northumbrian pipes and concertina and bands ranging from 2 piece to 6 piece, each entertaining us with their own special style of music. Whether it is Scottish or Continental, they are assured of a warm welcome from an appreciative audience.
Two dances are held annually – in December and May. We have also held ceilidhs, dances and raffles in aid of various charities – Children in Need, British Heart Foundation, Leukemia Research, the local Day Hospital, Dunmuir Hostel, Heart Start and Castle Douglas Bi-Centenary celebrations.
We meet on the third Tuesday of each month from September to April and we welcome all who care to join us, either to play or to enjoy the music and dancing.
Donald MacLeod, Kyle – An Appreciation
by M.K.
With the passing of Donald MacLeod at Raigmore Hospital on Friday, 31st December, 1993, the Kinlochshiel club has lost a well-known and popular personality.
He was a native of Portnalong, Skye and came to live in Kyle 30 years ago. ‘Donnie B.P.’ as he was affectionately known was employed by the West Highland Oil Company and many people have reason to be grateful for his obliging nature and numerous acts of kindness. He loved to be in company and took great pleasure in welcoming friends to his home, whether expected or unexpected.
Donnie was an ardent fan of traditional music, especially Scottish dance music, and this aspect of his life was very much in evidence during his time as Secretary of the Kinlochshiel A&F Club. His cheerful personality, enthusiasm and work on behalf of the Club will be greatly missed and fondly remembered.
Two recent highlights of his life were a trio to the Vancouver Mod in the company of the Strath Gaelic Choir and a visit of the Kinlochshiel Club to the Sutherland Club at Rogart. Whether the occasion happened to be grand tour or a trip to a village hall, it was another opportunity for Donnie to meet old and new friends.
The exceptionally large number of people who attended the funeral was a reflection of the respect and esteem in which he was held.
We were indeed privileged to have had in our midst such a true friend as Donnie MacLeod.
Our heartfelt sympathy go to his wife Morag and daughters Rona and Margaret.
Shetland Accordion and Fiddle Club Festival
14th – 18th October, 1993
Lerwick's Guizer Jarl, Ronnie Gair, resplendent in Viking costume.................
Your Letters
I feel I must write about the December meeting of the Stirling Club. The guest was Angie Smith and Friends and what a guest! Fiddle led from start to finish, apart from an accordion spot in each half from Neil MacEachern, and what a fiddler! She had the audience eating out of her hand. Often when a fiddler is the main guest, audience number take a tumble, but not in this case.
An ideal guest for any Club which is looking for something that wee bit different.
Helen Robertson
It was nice the see the B.B.C. pay tribute to Andy Stewart on 31st December on B.B.C.2. With some old clips of Andy and of course my idol, Jimmy Shand. It just shows the B.B.C. archives are full of this Scottish Dance Music material. It’s great to watch the old shows. So come on B.B.C., let’s have some more Scottish shows on national T.V. – and thank you.
Jim Murphy, Bradford
Record Review
The Cook Collection – Carol & Edith Cook – CJW024
CLUB DIARY
Aberdeen (Dee Motel) –
Alnwick (Golden Fleece) – members only
Arbroath (Viewfield Hotel) - 6th Feb 94 – Dave Stewart & Rab Smillie
Armadale (Masonic Hall) – 3rd Feb 94 – Karen Higgins SDB
Ayr (Gartferry Hotel) – 6th Feb 94 – Willie Lawrie Trio
Balloch (St. Kessog’s Hall) –
Banchory (Burnett Arms Hotel) –
Banff & District (Knowes Hotel, Macduff) –
Beith & District (Hotel de Croft, Dalry) – 21st Feb 94 – Neil MacEachern SDB
Belford (Community Club) –
Biggar (Municipal Hall) – 13th Feb 94 – Alistair Gillespie Orchestra
Blairgowrie (Moorfield Hotel) -
Brigmill (Guardbridge Sports & Social Club)
Buchan (Buchaness Hotel) –
Button Key (Windygates Institute) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Carlisle (Border Regiment Club, Carlisle Castle) - 3rd Feb 94 – Eric Goodfellow SDB
Castle Douglas (Urr Valley Hotel) – 15th Feb 94 – Eric Goodfellow SDB
Coalburn (Miners’ Welfare) - 17th Feb 94 – Tom Veldon Accordion Orchestra
Crieff & District (Arduthie Hotel) 3rd Feb 94 – James Coutts
Dalriada (Argyll Arms Hotel, Lochgilphead)
Derwentside (Working Men’s Club, Consett) –
Dingwall (National Hotel) – 2nd Feb 94 – Marie Fielding 19th Feb Dance to David Cunningham Jnr
Dunblane (Westlands Hotel) – 15th Feb 94 – Alan Gardiner SDB
Dundee (Park Hotel) –
Dunfermline (Jubilee House) –
Dunoon & Cowal (McColl’s Hotel)
East Kilbride (Sweepers, Cambuslang) – 24th Feb 94 – Fraser MyGlynn Duo
Ellon (Ladbroke Hotel) –
Ettrick & Yarrow (The Gordon Arms) - 16th Feb 94 – The Bon Accords
Fintry (Fintry Sports Centre) – 28th Feb 94 – Ian Thomson SDB
Forfar (Plough Inn) -
Forres (Brig Motel) – 9th Feb 94 – Dingwall Club
Fort William (Alexandra Hotel) –
Galashiels (Maxwell Hotel) –
Galston (Barr Castle Social Club) –
Glendale (Black Bull Hotel – Wooler) –
Glenrothes (Victoria Hall, Coaltown of Balgownie) -
Gretna (Halcrow Stadium) -
Highland (Drumossie Hotel) –
Inveraray (Loch Fyne Hotel) - 1st Fen 94 – Ross MacPherson SDB
Islay (White Hart Hotel) -
Isle of Skye -
Islesteps (Waterhole, Lochfoot) – 1st Feb 94 – Ian Muir
Kelso (Ednam House Hotel) – 23rd Feb 94 – Marian Anderson SDB
Kinlochshiel (Islander Function Room) - 12th Feb 94 – Graham Wilson Duo
Kintore (Crown Hotel) –
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) – 10th Feb 94 – Marie Fielding Trio
Livingston (Livingston Station Community Centre) 15th Feb 94 – Bill Black SDB
Lockerbie (Bluebell Hotel) -
Mauchline (The Jean Armour Function Suite) 15th Feb 94 – Karen Higgins Trio 26th Feb Dance to Jim Anderson (Broughton)
M.A.F.I.A. (Masonic Hall, Milngavie) –
Montrose (Park Hotel) –
Newtongrange (Dean Tavern) – 28th Feb 94 – Lothian SDB
North East (Royal British Legion, Keith) –
Oban (Harbour Lights Restaurant) – 3rd Feb 94 – Local Artistes
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Green Tree Hotel) – 24th Feb 94 – Judith Linton Trio
Perth (Salutation Hotel) – 15th Feb 94 – Angie Smith Trio
Premier NI (Camlin Function Rooms) -
Renfrew (Masonic Hall, Broadloan) – 8th Feb 94 – Ian Muir Trio
Rothbury (Queen’s Head) - 3rd Feb 94 – Roger Dobson SDB
Shetland (venue?) -
Stirling (Terraces Hotel) -
Thornhill (?)
Thurso (Pentland Hotel) –
Tranent (East Lothian Labour Club)
Turriff (Royal Oak Hotel) – 3rd Feb 94 – The Huntly Loons
Tynedale (Hexham Ex Service Club) – 8th Feb 94 – John Laidlaw Trio
Wick (McKay’s Hotel) –
THERE WERE CLUB REPORTS FROM :-
1. Aberdeen
2. Arbroath
3. Banchory
4. Biggar
5. Blairgowrie
6. Carlisle
7. Castle Douglas
8. Coalburn
9. Dingwall
10. Dunblane
11. Dunoon & Cowal
12. East Kilbride
13. Fintry
14. Forres
15. Glendale
16. Inveraray
17. Islesteps
18. Highland
19. Kintore
20. Kelso
21. Lesmahagow
22. Livingston
23. Lockerbie
24. Montrose
25. Newtongrange
26. North East
27. Orkney
28. Peebles
29. Perth
30. Renfrew
31. Rothbury
32. Thurso
33. Turriff
34. Tynedale
CLUB DIRECTORY AS AT SEPT 1991 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports or in the Club Diary above were definitely open.)
1. Aberdeen A&F Club (1975 – present)
2. Alnwick A&F Club (Sept 1976 – present)
3. Arbroath A&F Club (1991? – present)
4. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months) Closed
5. Ayr A&F Club (Nov 1983 – per Nov 83 edition) Closed
6. Balloch A&F Club (Sept 1972 – per January 1978 issue – present)
7. Banchory A&F Club (1978 – present)
8. Banff & District A&F Club (Oct 1973 – present)
9. Beith & District A&F Club (Sept 1972 – per first edition – present)
10. Belford A&F Club (joined Sept 1982)
11. Biggar A&F Club (Oct 1974 – present)
12. Blairgowrie A&F Club (
13. Brigmill A&F Club (Oct 1990) Closed
14. Button Key A&F Club (
15. Campbeltown A&F Club (
16. Carlisle A&F Club (joined Sept 1993 -
17. Castle Douglas A&F Club (c Sept 1980 – present)
18. Coalburn A&F Club (
19. Crieff A&F Club (cSept 1981)
20. Dalriada A&F Club (Feb 1981)
21. Derwentside A&F Club
22. Dingwall & District A&F Club (May 1979 – per first report)
23. Dunblane & District A&F Club (1971 – present)
24. Dundee & District A&F Club (1970? -
25. Dunfermline & District A&F Club (1974 – per first edition)
26. Dunoon & Cowal A&F Club (
27. East Kilbride A&F Club (Sept 1980)
28. Ellon A&F Club (
29. Etterick & Yarrow (Jan 1989 -
30. Fintry A&F Club (Dec 1972 – reformed Jan 1980 – present)
31. Forfar A&F Club (
32. Forres A&F Club (Jan 1978)
33. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
34. Galashiels A&F Club (joined Sept 1982 - present)
35. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
36. Glendale Accordion Club (Jan 1973)
37. Glenrothes A&F Club (Mar 93?
38. Gretna A&F Club (1991) Known as North Cumbria A&F Club previously (originally called Grena when started in June 1966 but later had to move to venues in the North of England and changed name. No breaks in the continuity of the Club)
39. Highland A&F Club (Inverness)
40. Inveraray A&F Club (Oct 1991)
41. Islay A&F Club (23 Apr 93 -
42. Islesteps A&F Club (Jan 1981 – present – n.b. evolved from the original Dumfries Club)
43. Isle of Skye A&F Club (
44. Kelso A&F Club (May 1976 – present)
45. Kintore A&F Club (
46. Langholm A&F Club (Oct 1967 - present)
47. Lesmahagow A&F Club (Nov 1979 – closed May 2005)
48. Livingston A&F Club (Sept 1973 – present)
49. Lockerbie A&F Club (Nov 1973 - present)
50. M.A.F.I.A. (1966 - )
51. Mauchline A&F Club (first mention 1986? - present)
52. Montrose A&F Club (joined Sept 1982 - present)
53. Mull A&F Club
54. Newtongrange A&F Club (joined Sept 1977 - present)
55. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
56. North East A&F Club aka Keith A&FC (Sept 1971 - present)
57. Oban A&F Club (Nov 1975 - present)
58. Orkney A&F Club (Mar 1978 - present)
59. Peebles A&F Club (26 Nov 1981 - present)
60. Perth & District A&F Club (Aug 1970 - present)
61. Premier A&F Club NI (April 1980)
62. Renfrew A&F Club (
63. Rothbury Accordion Club (1987??)
64. Shetland A&F Club (Sept 1978 - present)
65. Stirling A&F Club (Oct 1991 - )
66. Sutherland A&F Club (
67. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition – closed April 2014)
68. Thurso A&F Club (Oct 1981 - present)
69. Tranent A&F Club
70. Turriff A&F Club (March 1982 - present)
71. Tynedale A&F Club (Nov 1980 - present)
72. Wick A&F Club (Oct 1975 - present)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
73. Acharacle & District A&F Club (cMay 1988)
74. Bonchester Accordion Club (Closed?)
75. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
76. Buchan A&F Club
77. Callander A&F Club (
78. Campbeltown & District A&F Club (c Dec 1980)
79. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
80. Club Accord
81. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2?)
82. Coupar Angus A&F Club (cSept 1978 - ?)
83. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
84. Denny & Dunipace A&F Club (Feb 1981)
85. Dornoch A&F Club (first mention in directory 1986)
86. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
87. Dunbar Cement Works A&F Club (Closed?)
88. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
89. Falkirk A&F Club (Sept 1978 - )
90. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
91. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
92. Kirriemuir A&F Club (cSept 1981)
93. Monklands A&F Club (Nov 1978 – closed cApril 1983)
94. Morecambe A&F Club (joined Sept 1982)
95. Newcastleton Accordion Club
96. New Cumnock A&F Club (cMarch 1979)
97. Ormiston Miners’ Welfare Society A&F Club (closed April 1992 – per Sept Editorial)
98. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
99. Straiton Accordion Club (c1968 – closed March 1979)
100. Stranraer & District Accordion Club (1974 – per first edition)
101. Torthorwald A&F Club (near Dumfries)
102. Walmer (Bridge of Allan) A&F Club
103. Wellbank A&F Club
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